For decades, artist registries (think a library containing only encyclopedias filled with slides of artwork) have existed as neutral playing fields where artists can catalog and display their work for curators and gallerists. Now, slide registries are quickly vanishing and sleek, easy-to-use digital databases are becoming the norm, with emerging artists reaping the benefits.
When the Dow plummeted on Monday after Congress failed to pass a bailout for Wall Street’s many woes, Brooklyn’s creative class was already bracing itself. A downturn at the top of the food chain can’t bode well for those closer to the bottom, like the plethora of visual and performing artists that reside here.
“It’s just a drag,” said Karen Brooks Hopkins, the president of the Brooklyn Academy of Music, whose fall season opens this week. “What I feel bad about is that the arts organizations, the cultural organizations, have finally recovered from 9/11, and now this.
